Monochromatically beautiful is the first thing that comes to mind. This seems a natural fit for Gareth, an expression showcased in majority of his collections.
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Now I haven't done a review in a while but this collection was a breath of fresh air in my eyes. A collection that I could easily see fitting into my wardrobe because of it's fearlessness, monochromaticity, tight pants and the aerodynamic construction of the fitted armer and gliding graph cutout dresses. What I also enjoyed about the collection were the transformations from previous collections. Such as the new softer and fragile mutation of the air bag cushions from Spring 2007. But the most prominent collection that comes to mind is the medieval inspired Spring 2009 because of the the black and white coordination and medieval knight influence.
Courtesy of STYLE.COM
Courtesy of STYLE.COM
The show was great, just what Pugh had been hoping to do by incorporating Ruth Hogben's fashion filmic techniques and the theatrics of the catwalk show.
I don't think you could call them clothes as they were, as usual, completely architectural not only in the individual pieces but completely transforming the women and men in to what seemed like robotic warriors. The dramatic tribalistic music and the construction of the clothes gave the show a sort of futuristic jungle feel.
Courtesy of STYLE.COM
Courtesy of STYLE.COM
In this new world that he and Ruth had created it seemed the women were the dominant species, wearing more armor then the men and in some cases wearing less then the men. Gareth always loves to create strong, powerful and sexy woman. He certainly achieved this in the Spring 2012 collection, for me I think he created the highest evolution of the Pugh woman. To the end the Pugh woman becomes the peak of it's evolution by breaking out of the black and white pallet and transforming into purple hues of beauty and in the presence of purple flames. Each of the Pugh empresses don a purple teardrop capsule headpiece that looks almost like a butterflies cocoon. Just like cocoons, the faces inside of them were only just visible. To me this brought up the theory of evolution. And it looks like there are plenty more evolutions of Gareth Pugh's work to come.
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J'adore
Pip Alexander x